Thursday, February 28, 2008
Twentynine Palms - DVD 3828
La vie de Jésus = The life of Jesus - DVD 3827
Innocence - DVD 3825
L'emploi du temps = Time out - DVD 3824
Perfume: The Story of a Murderer - DVD 3823
Last Days - DVD 3821
True Romance - DVD 3820
Japón - DVD 3819
Batalla en el cielo = Battle in Heaven - DVD 3818
Hwal = The bow - DVD 3817
Miami vice - DVD 3815
Gwoemul = The host - DVD 3813
Saturday, February 23, 2008
Part I: Dreams
February 14, 2008 - May 11, 2008
This two-part exhibition features moving-image artworks by a range of influential and emerging international artists whose works use film language and technology to explore the ever-increasing impact of the cinematic on our perceptions and the ways in which the very boundaries between “real life” and make-believe have become at least blurred, if not indecipherable.
The first, Dreams, addresses film’s ability to transport us out of our everyday lives and into a dream world. Using a series of artists’ installations, the exhibition moves us through the different stages of consciousness and dreaming, from those moments between wakefulness and sleep to the darker recesses of the imagination and fantasy. Dreams is curated by chief curator Kerry Brougher and associate curator Kelly Gordon.
Generous support for The Cinema Effect is provided by The Broad Art Foundation and the Audrey and Sydney Irmas Charitable Foundation with assistance from Marion Boulton Stroud, Lorie Peters Lauthier, the British Council, the Holenia Trust in memory of Joseph H. Hirshhorn, the Friends of Jim and Barbara Demetrion Endowment Fund, and the Hirshhorn’s Board of Trustees. In-kind support was provided by Sony Electronics Inc. The catalogue was made possible in part by the Elizabeth Firestone Graham Foundation and Barbara and Aaron Levine.
Thursday, February 21, 2008
Everything's cool: A toxic comedy about global warming - DVD 3811
Pioneers of television - DVD 3809
Speedo - DVD 3808
Stolen - DVD 3807
Air guitar nation - DVD 3806
College - DVD 3788
Thursday, February 14, 2008
The king of kong - DVD 3781
As you like it - DVD 3764
Offside - DVD 3759
The Apu trilogy - DVD 3751-3753
Overlord - DVD 3750
Mon oncle = My uncle - DVD 3749
Once - DVD 3745
Vampyr - DVD 3734
The education of Shelby Knox - DVD 3710
The wire: season 4 - DVD 2876-2879
Cesky sen = Czech dream - DVD 3700
Sancharram = The journey - DVD 3694
East is east - DVD 3691
The Buddha of suburbia - DVD 3689
Monday, February 11, 2008
Games for social change seminar
- Suzanne Seggerman (Games for change)
- Most people are afraid of the printed word, novels, and films when they first come out, but over time accept them.
- Games are good at immersion in a new environment, as well as a chance to change a scenario safely.
- You have a different cognitive thinking when using video games versus reading.
- Games for change is a non-profit organization that assumes three things are important and attainable with video games:
ii. Social change
- Tries to shape the public outlook and increase the outlook for the positive.
- “Film was the dominant aspect of the 20th century, interactive media will be the dominant one of the 21st.
- Heidi Boisvert (ICED!)
- The game is out to teach users about the 1996
immigration policy. It’s a free role-playing game targeting high school and college students. U.S.
- The law itself has deported over 1.4 million people. It costs $95/day to detain someone. Human rights have been denied some of these detainees.
- The game allows you to play as an immigrant youth seeking asylum. It is a mix of civic questions and avoidance of immigration officers.
- Developed by over one hundred
youths from all over the boroughs. New York City
- Emphasizes freewill of characters.
- Attempts to reframe the immigration debate from just illegal aliens.
- Launching February 18, 2008 on both PC/Mac platforms.
- Eric Brown (Impact Games)
- Created a for-profit company in order to launch Peacemaker, a game that addresses the Israeli/Palestinian conflict.
- Emotional impact comes from connection to real life, not just spectacle. Games in include real footage.
- Their new online platform has constant updates (http://beta-ptn.impactgames.com)
- The “Play the news” option allows users to read and play other conflicts currently going on in the world. People can sign up by emailing firstname.lastname@example.org
- Ivan Marovic (A force more powerful)
- A single term strategy is a game, which it is a player versus the computer. As a protester you are trying to take down a government, non-violently.
- It teaches analytical skills and decisions without consequences that you would have in real life, like getting killed or thrown in prison.
- Ivan’s background is based in non-violence and had designed the game as a tool for others.
- Documentary films about political uprisings are framed with the filmmaker’s point of view, not the protester. And the film is always linear, with one solution.
- The game has 10 different scenarios, from fighting for women’s rights to a corrupt city or a government eroding the constitution. This allows the users to tweak each game and scenario according to the data they import.
- Dennis Palmieri (World without oil)
- More involved in television, but funded web based content. World without oil, was the first game they sponsored and hosted.
- World without oil ran for a finite time period in 2007. It corresponded to “real time,” a day equaled a day in this online reality.
- The programmers created a shell in which people using it created the content. These users made videos, blogs, and comics, which were hosted offsite.
- The users were sometimes so impacted by the game, that they changed their real lives, making themselves more environmentally friendly.
- http://www.filmocracy.com will allow users to mash-up content from “King corn”.
“Plight Entertainment”: Engaging audiences with difficult stories seminar
- Julia Bacha (Edited/co-wrote Control room)
- Directed Encounter point.
- Set from the point of view of civilians in the Israeli/Palestinian conflict.
- Was first released in film festivals, but as interest grew, was released for purchase then television networks.
- Giovanna Chesler (AU Professor)
- Focused in on women who have taken drugs to stop their periods.
- The image/video was shot on 16mm film and non-synch audio was used.
- Rejected from every film festival it was submitted to.
- Distributors “got it” and it is being released through Cinema Guild.
- Latest project is web-based. http://www.hpvboredom.com follows primarily college students and their stories about sexually transmitted diseases.
Baughan (Good Magazine) Bristol
- Graduated from SIS in 2004.
- Works for Good magazine, which allows is involved in film and the web.
- Started last year as a film studio.
- Michael Apted directed their first film, a documentary about soccer, but it was not theatrically released.
- Marshall Curry, who directed Streetfight, is doing a follow-up about NASCAR from the point of view of kids.
- Which way is home is a documentary about immigrants who leave their kids in the
hoping they will be able to stay on their own. U.S.
Hip-Hop: Beyond Beats and Rhymes seminar
- Byron Hurt (Writer/director Hip-Hop: Beyond Beats and Rhymes)
- ITVS gave completion funds and the Ford Foundation covered him when he ran over budget.
- It took six years to shoot. While a fan of hip-hop, Byron is critical of the negative stereotypes that the music propagates (Misogyny, sexism, homophobia, etc.)
- His first film was rejected by PBS, I am a black man. But it helped create the template for Beyond beats and rhymes.
- Although there were documentaries about some of the issues his film focused in on, he tried to frame the issue of the manhood complex. Likewise, he tried to structure it so fans of hip-hop could enjoy it, without alienating non-fans.
- He has numerous screenings which he had the audience fill out surveys which he took very seriously. It actually altered how the film was edited.
- Although it premiered at the Sundance Film Festival 2006, but won no awards. However, the media really built up a buzz. ITVS used it as an outreach program.
- After it was broadcast, Firelight Media started to represent it and continued to be involved its community’s outreach.
- Sonya Childress (Firelight Media)
- Firelight Media was initially just a production house that used Beyond beats and rhymes as their first outreach project.
- The success of Beyond beats and rhymes was rooted in the fact Byron was such a fan of hip-hop while finding a great story.
- ITVS decided to air the program during their Independent Lens series. The problem was the ideal audience was not who do not typically watch PBS.
- Pre-broadcast was focused on service providers, teachers, organizations.
- Tried to empower organizations (Big brother, Boys and girls’ clubs, etc.) to utilize the film specific to each goal, created interactive content, advance screenings, and discussion guides.
- The Corporation for public broadcasting gave them funds for advertising and they premiered at 1.1 million. However, PBS continued to give supporting funds after the broadcast (Almost unheard of.).
- About a month after the broadcast, the Don Imus controversy happened where he blamed hip-hop for his comments.
- The biggest problem was the film never gave an answer/solution which frustrated some viewers.
- After the film aired, Byron has toured for the past two years so he is finally starting to step back so he can begin working on his next project.
- The majority of the places he is touring are historical black colleges and universities. The Ford Foundation helps subsidize his travel costs.
- Emulate what the norm is watching, but insert a subversive message.
Short shorts and hot platforms seminar
- Matisse Bustos-Hawkes (WITNESS Hub)
- Works with Witness, an organization that Peter Gabriel started 15 years ago which tries to get a video camera into different people hands to shoot their own stories.
- The hub (http://www.witness.org) is a website that allows users to upload content dealing with human rights.
- The creation of the site was a result of concern of the safety of filmmakers and those depicted in the content.
- They offer options (email, uploading, anonymous logins, etc.) for those without top equipment and those who live in places which are monitored. It allows you to also imbed other site’s videos.
- Leba Haber (Where My Ladies At?)
- Utilized http://youtube.com by creating her own video channel and embedding the videos in her own site (http://www.wheremyladiesat.com/). That way she did not have to host these videos. Cost-wise this is a very good idea.
- Melissa Roberts (Free Range Studios)
- Works closely with flash animation; example, Store wars.
- Current project, The story of stuff (http://www.thestoryofstuff.com) deals with where things come from, how they are made and where they go when they are thrown away.
- Site is very interactive, allows users to check all the facts, but is presented in a humorous way, appealing to all demographics.
- Leighton Woodhouse (Brave New Films)
- Brave New Films started as a feature documentary production house, but over time it has branched into online shorts, primarily hosted on their own channel at http://www.youtube.com.
- Three goals for every project:
i. Fix a target. No matter what the subject, have focus.
ii. Have a story.
iii. Ask people to take action at the end of the piece in a very specific clear way.
Friday, February 08, 2008
Indie sex - DVD 3677
Slasher - DVD 3676
How art made the world - DVD 3674
Eastern promises - DVD 3665
Things you can tell just by looking at her - DVD 3661
All the king's men (2006) - 3662
All the king's men (1949) - DVD 3661
I like killing flies - DVD 3658
Nine lives - DVD 3657
Wednesday, February 06, 2008
Friday, February 01, 2008
The libertine - DVD 3642
Waitress - DVD 3641
Entourage: season 3 - DVD 3626-3630
Entourage: season 2 - DVD 3623-3625
Entourage: season 1 - DVD 3621-3622
Ezra - DVD 3610
Five factories - DVD 3609
The debt of dictators - DVD 3608
Conversations with other women - DVD 3607
Primary colors - DVD 3606